Sunday, August 21, 2011

If Looks Could Kill

If Looks Could Kill
The last shot I posted was driven by the looks of the people in it, and I think this one is too. There's a range of emotions upon disembarking from Caltrain, most of which are not pleasant. ;) Irritatingly, this is best viewed in a browser other than Chrome, which seems hell-bent on tinting it just a little orange.

Observers

Observers
Despite my doom cold, drug my self up to the city yesterday so the weekend wouldn't feel like a total waste. Caught this moment when there was some really good partial directional light working in my favor.

Tuesday, August 16, 2011

Lookin' for a Ride?

Lookin' for a Ride?
Caught this one on the way back from the city on Saturday -- as usual, fascinated by what's going on with the people at varying Caltrain stations. If the train is empty enough, I actually have a pattern of which side I should sit on for which station. ;) Trend towards more color in photos continues -- not sure why it was, but I was seeing a lot more of it this weekend.

Monday, August 15, 2011

Overshadowed

Overshadowed
Shot this on O'Farrell -- was up there last week, and thought I would come back and check out some of the afternoon light there. Lots of building reflections, and just a bit of drama. :)

Sunday, August 14, 2011

Fans

Fans
Caught this moment on Powell Street yesterday -- had gone up to the city to catch a few hours of afternoon light near Union Square and to wander around some streets I don't normally spend a lot of time on. Powell is an old favorite though, and it didn't disappoint.

Wednesday, August 10, 2011

The Boy in Green

The Boy in Green
There's a bridge between the Bellagio and Caesar's Palace in Vegas. Every year I go there, and every year I think it's one of my favorite places to photograph people. Caught this one in a rare, partly cloudy moment -- the color and the expressions really caught my eye.

Tuesday, August 9, 2011

The Man in Red

The Man in Red
Just spent a week in Vegas, and came back with photos. :) This one is with the x100, which still managed to turn out something interesting in really low light and a subject all in red (where camera sensors traditionally go to die). Love this guy's expression, and the odd cut of the frame works here for me.